Shanghai Dancing edition by Brian Castro Literature Fiction eBooks
Download As PDF : Shanghai Dancing edition by Brian Castro Literature Fiction eBooks 
After 40 years in Australia, Antonio Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," Antonio seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, Antonio heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. The Age has described the book as "an extraordinary polyglot mix of sources Portuguese, Chinese, English, Jewish and Catholic, and a mysterious recessive black gene... told in Castro's characteristically baroque prose, dense with its passion for language and serious wordplay." The winner of some of Australia's top literary prizes, Shanghai Dancing has been praised by its judges as "a work of major significance [that] challenges our expectations of storytelling... It is impressive as history, as fiction, as a book which stretches the literary form and which speaks to the universality of the human experience." Shanghai Dancing marks the U.S. debut of a major Australian literary figure.
Shanghai Dancing edition by Brian Castro Literature Fiction eBooks
Castro pushes the limits of the novel form. He'll do more with a line of narrative then most will do with a chapter. He is relentless and indefatigable in his desire to rope us into the doings here. He goes to any terrific length to seduce the reader: memory, poetry, music, song, violence. Alas, this is a book that could only come from someone deploying melancholy to mourn what is no more, but to right the ship he steers. Take it on. I dare you.Product details
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Shanghai Dancing edition by Brian Castro Literature Fiction eBooks Reviews
I have read a lot of novels over the years and consequently become somewhat disillusioned with the great mass of contemporary "brand" writers. So it is with great pleasure that I enter Shanghai Dancing into the classic literary canon - nudging Gravity's Rainbow and Joyce's Ulyses for space.
Castro calls this a fictional autobiography but it is also the biography of Shanghai, Hong Kong and Macau in the turbulent times between the 1930's and the 1960's. The subject is life itself and when I finished this book I felt as though I had lived there in those times - exhausted yet exhilarated and, in some inexplicable way, wiser.
Like all great novels Shanghai Dancing needs re-reading every six months - more and more layers are uncovered.
It is a book that creates an effect in the reader similar to its beautiful character Cindy who,in the great ballroom, dances "the tango noli me tangere whose end is to seduce and kill..". It is a very seductive book - but, though it takes us face to face with death it left me with an increased understanding and love of life.
Shanghai Dancing makes you go back for more, and more.
I initially read this book for a class on post-colonial literature, and it remains one of my favorite books. As other reviewers have mentioned, it is complex we jump back and forth in time, all over the world, and through generations of the same family. However, it is an enjoyable read even if you don't try to figure out any of the connections and just read it as a series of stories about a family. The more you revisit the book, the clearer these connections become. The prose is beautiful, the characters are memorable, and the story is uniquely cosmopolitan and wide-ranging. Absolutely worth a read--ideally several!
Castro's latest book is not easy to read. The complex stream of consciousness style does not lend to facile parsing. This is enhanced by the narrative jumping forth between various times. One thread is set in the present, as the main character goes back to Shanghai, to relive en passant some of the ambience experienced by his father and ancestors. This is used as a jumping off point into a telling of their lives. Perhaps deliberately to increase the ambiguity (or confusion) in the reader, the main character has the same surname and much of the same background as the author.
So you can read this at several levels. One way is to appreciate the myriad cultural entanglements depicted. On the male side, the family descends from Portuguese Jews who converted to Catholicism. Though the extent of this conversion is itself subject to differing interpretations. We see this European background racially and ethnically mixed with the local Chinese, of Shanghai, Hong Kong and Macao. Mostly in the early 20th century, up to the end of World War 2. Glimpses of lost Asian communities under colonial rule.
A recurring theme is this intermingling and fusion of cultures, on the literal boundaries of the Asian mainland.
On a minor note, we also see some impressions of Australia from the main character, who enters the country as an Asian kid, during a time when the White Australia policy was still in force. (Though the book never mentions the latter.) The descriptions of Australia starkly contrast with those of China. Adding to the book's tale of blending of cultures.
The story also goes into the hardships of Shanghai during the Japanese occupation. The squalor, hunger and diseases of a long war, overlaid on a city that already had much poverty. To Australian or American readers, brought up on their forebears' memories of the war, it can be a grim reminder that things were worse in China.
Inevitably, the book invites comparisons to J G Ballard's Empire of the Sun. Stylistically, Castro's is a more intricate offering.
Might be a unique style of writing but for my feeble mind, it is difficult to follow. In particular, there seems to be so many characters, relatives, cousins, in laws, etc etc. Confused.
Castro pushes the limits of the novel form. He'll do more with a line of narrative then most will do with a chapter. He is relentless and indefatigable in his desire to rope us into the doings here. He goes to any terrific length to seduce the reader memory, poetry, music, song, violence. Alas, this is a book that could only come from someone deploying melancholy to mourn what is no more, but to right the ship he steers. Take it on. I dare you.
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